All Things Galore
These are poems about mysterious things, poems about the mesmerizing and the uncanny.
Some of my favorite times as a boy were spent pestering my grandfathers, both of whom were expert gardeners, about the more mysterious aspects of life: what made the sun rise, what made the rain fall, where do the dead go? Curiosity was in my blood, in my genes…
Fascination with Light
by Michael R. Burch
Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.
With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.
And yet it returns
to the flame, its delight,
as long as it burns.
All Things Galore
by Michael R. Burch
for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.
Grandfather,
now in your gray presence
you are
somehow more near
and remind me that,
once, upon a star,
you taught me
wish
that ululate soft phrase,
that hopeful phrase!
and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw
and taught me heaven, omen, meteor . . .
If
by Michael R. Burch
for Beth
If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.
If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.
If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.
If I should burn—one moment less brightly,
one instant less true—
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.
The Octopi Jars
by Michael R. Burch
Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...
you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...
I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...
and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...
and I know now in life you were unlike me:
your imprisonment was never voluntary.
Nashville and Andromeda
by Michael R. Burch
I have come to sit and think in the darkness once again.
It is three a.m.; outside, the world sleeps …
How nakedly now and unadorned
the surrounding hills
expose themselves
to the lithographies of the detached moonlight—
breasts daubed by the lanterns
of the ornamental barns,
firs ruffled like silks
casually discarded …
They lounge now—
indolent, languid, spread-eagled—
their wantonness a thing to admire,
like a lover’s ease idly tracing flesh …
They do not know haste,
lust, virtue, or any of the sanctimonious ecstasies of men,
yet they please
if only in the solemn meditations of their loveliness
by the erect pen …
Perhaps there upon the surrounding hills,
another forsakes sleep
for the hour of introspection,
gabled in loneliness,
swathed in the pale light of Andromeda …
Seeing.
Yes, seeing,
but always ultimately unknowing
anything of the affairs of men.
Longing
by Michael R. Burch
We stare out at the cold gray sea,
overcome
with such sudden and intense longing . . .
our eyes meet,
inviolate,
and we are not of this earth,
this strange, inert mass.
Before we crept
out of the shoals of the inchoate sea,
before we grew
the quaint appendages
and orifices of love . . .
before our jellylike nuclei,
struggling to be hearts,
leapt
at the sight of that first bright, oracular sun,
then watched it plummet,
the birth and death of our illumination . . .
before we wept . . .
before we knew . . .
before our unformed hearts grew numb,
again,
in the depths of the sea’s indecipherable darkness . . .
When we were only
a swirling profusion of recombinant things
wafting loose silt from the sea’s soft floor,
writhing and sucking in convulsive beds
of mucousy foliage,
flowering,
flowering,
flowering . . .
what jolted us to life?
The Evolution of Love
by Michael R. Burch
Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.
Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.
We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land.
We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.
The night is full of stars
we cannot grasp, though all the World is ours.
Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?
Is love our evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.
Musings at Giza
by Michael R. Burch
In deepening pools of shadows lies
the Sphinx, and men still fear his eyes.
Though centuries have passed, he waits.
Egyptians gather at the gates.
Great pyramids, the looted tombs
—how still and desolate their wombs!—
await sarcophagi of kings.
From eons past, a hammer rings.
Was Cleopatra's litter borne
along these streets now bleak, forlorn?
Did Pharaohs clad in purple ride
fierce stallions through a human tide?
Did Bocchoris here mete his law
from distant Kush to Saqqarah?
or Tutankhamen here once smile
upon the children of the Nile?
or Nefertiti ever rise
with wild abandon in her eyes
to gaze across this arid plain
and cry, “Great Isis, live again!”
I AM
by Michael R. Burch
I am not one of ten billion—I—
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.
I am not one life has left unsquashed—
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.
I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing “Please!”
I am not one without spots of disease.
I am not one of ten billion—I—
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!
This heretical poem reverses my childhood poem "Am I."
Performing Art
by Michael R. Burch
Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.
Songbird, Birdsong
by Rumi
loose translation/interpretation by Michael R. Burch
Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!
What Works
by Michael R. Burch
for David Gosselin
What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.
The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.
A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.
When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.
The Wonder Boys
by Michael R. Burch
(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)
The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true …
but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.
They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope …
You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,
their words are with us still. Devout and fey,
they wink at us whenever skies are gray.
It’s Hard Not To Be Optimistic: An Updated Sonnet to Science
by Michael R. Burch
“DNA has cured deadly diseases and allowed
labs to create animals with fantastic new
features.” — U.S. News & World Report
It’s hard not to be optimistic
when things are so wondrously futuristic:
when DNA, our new Louie Pasteur,
can effect an autonomous, miraculous cure,
while labs churn out fluorescent monkeys
who, with infinite typewriters, might soon outdo USN&WR’s flunkeys.
It’s hard not to be optimistic
when the world is so delightfully pluralistic:
when Schrödinger’s cat is both dead and alive,
and Hawking says time can run backwards. We thrive,
befuddled drones, on someone else’s regurgitated nectar,
while our cheers drown out poet-alarmists who might Hector
the Achilles heel of pure science (common sense)
and reporters who tap out supersillyous nonsense.
I’m a fan of both real science and science fiction, and I like to think I can tell the difference, at least between the two extremes. I feel confident that Schrödinger didn’t think the cat in his famous experiment was both dead and alive. Rather, he was pointing out that we can’t know until we open the box, scratchings and smell aside. While traveling backwards in time is great for science fiction, it seems extremely doubtful as a practical application. And as for DNA curing deadly diseases ... well, it must have created them, so perhaps don’t give it too much credit!
Submitted to U.S. News & World Report
Dear Editor,
While I’m usually a fan of your magazine, as a writer I must take to task the Frankensteinian logic of the excerpt I cited, and I challenge you to publish my “letter” as proof that poets do have a function in the third millennium, even if it is only to suggest that paid writers should not create such outlandish, freakish horrors of the English language.
Somewhat irked, but still a fan,
Michael R. Burch
Lady’s Favor
by Michael R. Burch
May
spring
fling
her riotous petals
devil-
may-care
into the air,
ignoring the lethal
nettles
and may
May
cry gleeful-
ly Hooray!
as the abundance
settles,
till a sudden June
swoon
leave us out of tune,
torn,
when the last rose is left
inconsolably bereft,
rudely shorn
of every device but her thorn.
Sometimes the Dead
by Michael R. Burch
Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.
Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.
Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.
Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,
yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...
Southern Icarus
by Michael R. Burch
Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .
What do you know of the world’s despair,
gliding in vast solitariness there,
so that all that remains is to
fall?
Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and flaps
its white rebellious wings,
and all
the houses watch with baffled eyes.
Kindred (II)
by Michael R. Burch
Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?
Did you burn once,
before you became
so remote, so detached,
so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?
What is the dawn now, to you or to me?
We are as one,
out of favor with the sun.
We would exhume
the white corpse of love
for a last dance,
and yet we will not.
We will let her be,
let her abide,
for she is nothing now,
to you
or to me.
Syndrome
by Michael R. Burch
When the heart of a child,
fragile, like a flower, unfolds;
when his soul emerges from its last concealment,
nestled in the womb’s muscular whorls, its secret chambers;
when he kicks and screams,
flung from the watery darkness into the harsh light’s glare,
feeling its restive anger, its accusatory stare;
when he feels the heart his emergent heart remembers
fluttering against his cheek,
then falls into the lilac arms of heavy-lidded sleep;
when he reopens his eyes to the bellows’ thunder
(which he has never heard before, save as a drowned echo)
and feels its wild surmise, and sees—with wonder
the tenderness in another’s eyes
reflecting his startled wonder back at him,
as his heart picks up the beat of his mother’s grieving hymn for the world’s intolerable slander;
when he understands, with a babe’s discernment—
the breasts, the hands, that now, throughout the years,
will bless him with their comforts, console him with caresses,
the gentle eyes, which, with their knowing tears,
will weep him away from the world’s slick, writhing dangers
through all his restlessly-flowering years;
as his helplessly-frail fingers curl around the nose now leaning to catch his powdery talcum scent ...
Remember—it is the world’s syndrome, its handicap, not his,
that will insulate assumers from the gentle pollinations of his loveliness,
from his gift of enchantment, from his all-encompassing acceptance,
from these angelic charms now tenderly lifting those earthlings who gladly embrace him.
Published by the National Association for Down Syndrome
I believe I wrote this poem at our subdivision’s pool in 1998, while watching a Down syndrome child with his lovely, loving mother.
Only Flesh
by Michael R. Burch
Moonlight in a pale silver rain caresses her cheek.
What she feels is an emptiness more chilling than fear ...
Nothing is questioned, yet the answer seems clear.
Night, inevitably, only seems to end.
Flesh is the stuff that does not endure.
The sand begins its passage through narrowing glass
as Time sifts out each seed yet to come.
Only flesh does not last.
Eternally, the days rise and fall with the sun;
each bright grain, slipping past, will return.
Only flesh fades to ash though unable to burn.
Only flesh does not last.
Only flesh, in the end, makes its bed in brown grass.
Only flesh shivers, pale as the pale wintry light.
Only flesh seeps in oils that will not ignite.
Only flesh rues its past.
Only flesh.
Critical Mass
by Michael R. Burch
I have listened to the rain all this evening
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.
"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses and other religious ceremonies.
Stump
by Michael R. Burch
This used to be a poplar, oak or elm …
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm … this massive, nodding head
here contemplated life, and now is dead …
Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread …
The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).
We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine …
mere fables now, dust, compost, turpentine.
Wonderland
by Michael R. Burch
We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face—
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.
Everlasting
by Michael R. Burch
Where the wind goes
when the storm dies,
there my spirit lives
though I close my eyes.
Do not weep for me;
I am never far.
Whisper my name
to the last star ...
then let me sleep,
think of me no more.
Still ...
By denying death
its terminal sting,
in my words I remain
everlasting.