Charles d'Orleans: New Translations

In my opinion the marvelous Charles d'Orleans is second only to Sappho as a love poet. I have added five new passionate, touching, heartfelt poems to my Charles d'Orleans collection...

This page includes a Charles d'Orleans bio and timeline, plus my personal ranking of the top ten love poets of all time.

Was Charles d'Orleans the world's greatest love poet? I believe he is certainly a candidate. In particular, I consider his “Oft in My Thought” to be a top ten love poem of all time, and a complete and utter masterpiece. It’s the first poem on this page, followed by three newly-minted translations.

Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.

 The next five poems are my latest Charles d’Orleans translations and they’re “hot off the press” and subject to debate. Critiques, comments and suggestions are welcome. Yes, I have changed translations and original poems when I thought suggestions were warranted.

Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
           No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.

Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here. 

Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.

Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
           Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus, “We cleave to this strange world in vain.”

Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample breasts and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample breasts and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample breasts and slender arms’ twin chains!

In My Imagined Book
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

In my imagined Book
my heart endeavored to explain
its history of grief, and pain,
illuminated by the tears
that welled to blur those well-loved years
of former happiness's gains,
in my imagined Book.

Alas, where should the reader look
beyond these drops of sweat, their stains,
all the effort & pain it took
& which I recorded night and day
in my imagined Book?

The original French poem:

Dedens mon Livre de Pensee,
J'ay trouvé escripvant mon cueur
La vraye histoire de douleur
De larmes toute enluminee,
En deffassant la tresamée
Ymage de plaisant doulceur,
Dedens mon Livre de Pensee.

Hélas! ou l'a mon cueur trouvee?
Les grosses gouttes de sueur
Lui saillent, de peinne et labeur
Qu'il y prent, et nuit et journee,
Dedens mon Livre de Pensee.

The next three poems are interpretations of "Le temps a laissé son manteau" ("The season has cast off his mantle"). This famous rondeau was set to music by Debussy in his Trois chansons de France.

The season has cast its coat aside
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside!"

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!

Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!

Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"

Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,

while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"

All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.

The original French rondeau:

Le temps a laissé son manteau

Le temps a laissé son manteau
De vent, de froidure et de pluie,
Et s’est vêtu de broderie,
De soleil luisant, clair et beau.

Il n’y a bête, ni oiseau
Qu’en son jargon ne chante ou crie :
"Le temps a laissé son manteau."

Rivière, fontaine et ruisseau
Portent en livrée jolie,
Gouttes d’argent d’orfèvrerie,
Chacun s’habille de nouveau :
Le temps a laissé son manteau.

Rondel: This Castle of My Heart
by Charles d’Orleans (c. 1394-1465)
translator unknown

[To his Mistress, to succour his heart that is beleaguered by jealousy.]

Strengthen, my Love, this castle of my heart,
And with some store of pleasure give me aid,
For Jealousy, with all them of his part,
Strong siege about the weary tower has laid.

Nay, if to break his bands thou art afraid,
Too weak to make his cruel force depart,
Strengthen at least this castle of my heart,
And with some store of pleasure give me aid.

Nay, let not Jealousy, for all his art
Be master, and the tower in ruin laid,
That still, ah Love! thy gracious rule obeyed.
Advance, and give me succour of thy part;
Strengthen, my Love, this castle of my heart.

Le Primtemps (“Spring” or “Springtime”)
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.

The original French poem:

Jeunes amoureux nouveaulx
En la nouvelle saison,
Par les rues, sans raison,
Chevauchent, faisans les saulx.
Et font saillir des carreaulx
Le feu, comme de cherbon,
Jeunes amoureux nouveaulx.
Je ne sçay se leurs travaulx
Ilz emploient bien ou non,
Mais piqués de l’esperon
Sont autant que leurs chevaulx
Jeunes amoureux nouveaulx.

Charles d'Orleans (c. 1394-1465) was born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, the Duke of Orleans, was a patron of poets and artists. Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. Charles was captured at age 21 in the 1415 Battle of Agincourt and was taken to England, where he remained a prisoner for the next quarter century, spending time in the Tower of London. While imprisoned there he learned English and wrote poetry of a very high order in his second language. A master of poetic forms, Charles wrote primarily ballades, chansons and rondeaus/roundels/rondels. His famous rondeau "Le temps a laissé son manteau" ("The season has cast his mantle away") was set to music by Debussy in his Trois chansons de France. (There are three English translations of the rondeau on this page.) Charles d'Orleans has also been credited with writing the first Valentine’s Day poem, which I have translated herein. I rank him second only to Chaucer among the Medieval English language poets, and above Chaucer at his specialty—shorter lyric poems like rondels—which is really amazing considering the fact that he didn't learn English until his twenties and may have studied the language by reading Chaucer! Apparently he was a quick study.

The First Valentine

Charles d’Orleans has been credited with writing the first Valentine card, in the form of a poem for his wife. Charles wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt. The Battle of Agincourt forms the centerpiece of Shakespeare’s historical play Henry V, in which Charles appears as a character with a number of lines. At age 16, Charles had married the 11-year-old Bonne of Armagnac in a political alliance, which explains the age difference he mentions in his poem. (Coincidentally, I share his wife’s birthday, the 19th of February.) Unfortunately, Charles would be held prisoner for a quarter century and would never see his wife again, as she died before he was released. Why did Charles call his wife “Valentine”? Well, his mother’s name was Valentina Visconti…

My Very Gentle Valentine
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.

Confession of a Stolen Kiss
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

By "ghostly father" I take Charles d’Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!

Original Middle English text:

My ghostly fader, I me confess,
First to God and then to you,
That at a window, wot ye how,
I stale a kosse of gret swetness,
Which don was out avisiness—
But it is doon, not undoon, now.

My ghostly fader, I me confess,
First to God and then to you.

But I restore it shall, doutless,
Agein, if so be that I mow;
And that to God I make a vow,
And elles I axe foryefness.

My ghostly fader, I me confesse,
First to God and then to you.



Charles d'Orleans Timeline/Chronology

1394 - Charles is born in Paris on Nov. 24, 1394, the first son to survive infancy of Louis of Orleans, the brother of Charles VI, and Valentina Visconti of Milan.
1406 - Charles, age 11, marries his cousin Isabelle, age 16, the daughter of Charles VI and Queen Isabeau of France, and the widow of Richard II of England.
1407 - The day before Charles's 13th birthday his father Louis d'Orleans is assassinated in Paris by Burgundians under John the Fearless, on Nov. 23, 1407.
1408 - Charles's mother dies at Blois at age 38 on December 4, 1408; Charles becomes Duke of Orleans at age 14.
1409 - Isabelle bears Charles a daughter, Jeanne, but dies within a few days on Sept. 13, 1409; Charles turns 15 the next month.
1410 - Charles marries Bonne, age 11, the daughter of Bernard, count of Armagnac, and niece of the duke of Berry, on August 15, 1410.
1412 - Charles sends his brother Jean, age 12, to England as a hostage in the custody of the duke of Clarence, on November 14, 1412.
1415 - Charles is captured at the battle of Agincourt on Oct. 25, 1415 and is taken prisoner to England, just in time for his 21st birthday.
1416 - Charles is initially held in the Tower of London.
1417 - In June Charles is sent to Pontefract (Yorks), in custody of Robert Waterton.
1427 - Joan of Arc, supported by Charles's brother Jean, the Count of Dunois, takes up the cause of freeing France from English control.
1429 - Henry VI of England is crowned at age eight.
1431 - Henry VI is crowned king of France in the cathedral of Notre Dame in Paris; Joan of Arc is burned at the stake.
1432 - Charles's daughter Jeanne dies at age 23; his wife Bonne dies sometime between 1430 and 1435.
1440 - Charles is formally released from captivity on October 28, 1440. Charles, now 46, marries Marie of Cleves, niece of Isabelle and duchess of Burgundy, age 14.
1445 - Charles's brother, Jean of Angouleme, is released from English captivity after 33 years.
1457 - After 17 years of marriage, Marie of Cleves bears Charles a daughter, Marie. Francois Villon, a guest at Blois, writes a poem to celebrate the birth.
1461 - Charles VII dies; Louis XI ascends the throne.
1462 - Marie bears Charles a son, the future Louis XII, known during his reign as the "Father of his People."
1464 - Marie bears Charles a daughter, Anne.
1465 - Charles of Orleans dies at age 70 on January 4, 1465. His poetry will still be read 500 years later.

My Top Ten Love Poets of All Time

Please keep in mind that this ranking is no more than personal favorites, at this moment in time, as my aging memory allows…

1. Sappho

2. Charles d’Orleans

3. Pablo Neruda

4. Ono no Komachi, an ancient Japanese female poet

5. Edna St. Vincent Millay

6. Robert Burns

7. Tzu Yeh, an ancient Chinese female poet said to have been a courtesan

8. Rabindranath Tagore

9. e. e. cummings

10. Thomas Wyatt and Walt Whitman (tie)

    
    High Honorable Mention: Conrad Aiken, Anne Reeve Aldrich, Li Bai, Charles Baudelaire, Louise Bogan (esp. “Song for the Last Act”), Elizabeth Barrett Browning, Gwendolyn Brooks, Lord Byron, Catullus, Hart Crane (esp. for the full version of “Voyages”), Emily Dickinson, John Donne, Ernest Dowson, Bob Dylan, Hafez, Langston Hughes, Veronica Franco, Robert Frost (esp. “To Earthward”), John Keats (esp. “Bright Star”), Richard Lovelace, Martin Mc Carthy, Tom Merrill, Stevie Nicks, Ovid, Pushkin, Walter Ralegh, Rilke, Rimbaud, Kevin N. Roberts, Christina Rossetti, Rumi, Shakespeare, Percy Bysshe Shelley, Paul Simon, Edmund Spenser, Paul Verlaine, Renee Vivien, William Butler Yeats, Tzu Yeh

Related Pages:

The Best Poetry Translations of Michael R. Burch
Sweet Rose of Virtue
How Long the Night