Eulogies

These are eulogies, elegies and epitaphs that I have written for other poets over the years, along with tributes to family, friends and people I admire...

for Kickerman, who suggested a page of eulogies



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.

Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Privilege
by Michael R. Burch

This poem is dedicated to Harvey Stanbrough, an ex-marine who was nominated for the 1999 Pulitzer Prize and has written passionately and eloquently about the horror and absurdity of war in “Lessons for a Barren Population.”

No, I will never know
what you saw or what you felt,
thrust into the maw of Eternity,

watching the mortars nightly
greedily making their rounds,
hearing the soft damp hiss

of men’s souls like helium escaping
their collapsing torn bodies,
or lying alone, feeling the great roar

of your own heart.
But I know:
there is a bitter knowledge

of death I have not achieved.
Thus in thankful ignorance,
and especially for my son

and for all who benefit so easily
at so unthinkable a price,
I thank you.



At Wilfred Owen's Grave
by Michael R. Burch

A week before the Armistice, you died.
They did not keep your heart like Livingstone's,
then plant your bones near Shakespeare's. So you lie
between two privates, sacrificed like Christ
to politics, your poetry unknown
except for one brief flurry: thirteen months
with Gaukroger beside you in the trench,
dismembered, as you babbled, as the stench
of gangrene filled your nostrils, till you clenched
your broken heart together and the fist
began to pulse with life, so close to death.

Or was it at Craiglockhart, in the care
of "ergotherapists" that you sensed life
is only in the work, and made despair
a thing that Yeats despised, but also breath,
a mouthful's merest air, inspired less
than wrested from you, and which we confess
we only vaguely breathe: the troubled air
that even Sassoon failed to share, because
a man in pieces is not healed by gauze,
and breath's transparent, unless we believe
the words are true despite their lack of weight
and float to us like chlorine—scalding eyes,
and lungs, and hearts. Your words revealed the fate
of boys who retched up life here, gagged on lies.

EULOGIES FOR FAMILY AND FRIENDS



Sunset
by Michael R. Burch

for my grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



A man may attempt to burnish pure gold, but who can think to improve on his mother?
—Mahatma Gandhi, translation by Michael R. Burch



I have long been baffled by the dearth of poems about their mothers by the great poets. While not claiming to be great myself, I can at least not be accused of contributing to the dearth…



Remembering Not to Call
by Michael R. Burch

a villanelle permitting mourning, for my mother, Christine Ena Burch

The hardest thing of all,
after telling her everything,
is remembering not to call.

Now the phone hanging on the wall
will never announce her ring:
the hardest thing of all
for children, however tall.

And the hardest thing this spring
will be remembering not to call
the one who was everything.

That the songbirds will nevermore sing
is the hardest thing of all
for those who once listened, in thrall,
and welcomed the message they bring,
since they won’t remember to call.

And the hardest thing this fall
will be a number with no one to ring.

No, the hardest thing of all
is remembering not to call.



Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.

Amen



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager, around age 16 or 17, and chose to incorporate into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch

The hands that held me tremble.
The arms that lifted

                              fall.

Angelic flesh, now parchment,
is held together with gauze.
But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such unfathomable love
will still reach me, underground.



Delicacy
by Michael R. Burch

for my mother, Christine Ena Burch

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Dawn
by Michael R. Burch

for my mother and all good mothers

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Such Tenderness
by Michael R. Burch

for my mother and all good mothers

There was, in your touch, such tenderness—as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now—
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness—time, oh, and love.
But love in the end is seldom enough ...
and time?—insufficient to life’s brief task.
I can only admire, unable to ask—

what is the source, whence comes the desire
of a woman to love as no God may require?



Our English Rose
by Michael R. Burch

for my mother, Christine Ena Burch

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

“Our English Rose” is my translation of a Sappho epigram.



don’t forget ...
by Michael R. Burch

for my mother, Christine Ena Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



Deliver Us ...
by Michael R. Burch

The night is dark and scary—
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



The Poet's Condition
by Michael R. Burch

for my mother, Christine Ena Burch

The poet's condition
(bother tradition)
is whining contrition.
Supposedly sage,

his editor knows
his brain's in his toes
though he would suppose
to soon be the rage.

His readers are sure
his work's premature
or merely manure,
insipidly trite.

His mother alone
will answer the phone
(perhaps with a moan)
to hear him recite.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly ...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
                              and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch

I will extract the thorns from your feet.
For yet a little while longer, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.



Cherokee Travelers' Blessing II
loose translation by Michael R. Burch

Happily may you walk
in the paths of the Rainbow.
                                           Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.



Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch

May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you care for,
this side of the farther tide.

And when you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder,
may you always find the Rainbow.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor…



She Always Grew Roses
by Michael R. Burch

for my grandmother, Lillian Lee

Tell us, heart, what the season discloses.
“Too little loved by the ego in its poses,
she always grew roses.”

What the heart would embrace, the ego opposes,
fritters away, and sometimes bulldozes.
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she loved nonetheless, as her legacy discloses—
she always grew roses.”

How does one repent when regret discomposes?
When the shadow of guilt, at last, interposes?
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she continued to love, as her handiwork shows us,
and she always grew roses.”

Too little, too late, the grieved heart imposes
its too-patient will as the opened book recloses.
Tell us, heart, what the season discloses.
“She always grew roses.”

The opened-then-closed book is a picture album. The season is late fall because it was in my autumn years that I realized I had written poems for everyone in my family except Grandma Lee. Hopefully it is never too late to repent and correct an old wrong.



Little Sparrow
by Michael R. Burch

for my petite grandmother, Christine Ena Hurt, who couldn’t carry a note, but sang her heart out with great joy, accompanied, I have no doubt, by angels

“In praise of Love and Life we bring
this sacramental offering.”
Little sparrow of a woman, sing!

What did she have? Hardly a thing.
A roof, plain food, and a tiny gold ring.
Yet, “In praise of Love and Life we bring

this sacramental offering.”
“Hosanna!” angelic choirs ring.
Little sparrow of a woman, sing!

Whence comes this praise, as angels sing
to her tuneless voice? What of Death’s sting?
Yet, “In praise of Love and Life we bring

this sacramental offering.”
Let others have their stoles and bling.
Little sparrow of a woman, sing!

“In praise of Love and Life we bring
this sacramental offering
as the harps of beaming angels ring.
Little sparrow of a woman, sing!”



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat ...
though first, usually, he’d stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it ...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

“Nobody knows that it’s there, lad, or that it’s fit tuh eat
with some bacon drippin’s or lard.”

“Don’t eat the berries. You see—the berry’s no good.
And you’d hav’ta wash the leaves a good long time.”

“I’d boil it twice, less’n I wus in a hurry.
Lawd, it’s tough to eat, chile, if you boil it jest wonst.”

He seldom was hurried; I can see him still ...
silently mowing his yard at eighty-eight,
stooped, but with a tall man’s angular gray grace.

Sometimes he’d pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—“pokeweed”—while perusing a dictionary.
Surprised, I asked why anyone would eat a weed.
I still can hear his laconic reply ...

“Well, chile, s’m’times them times wus hard.”



Sailing to My Grandfather
by Michael R. Burch

for my grandfather, George Edwin Hurt Sr.

This distance between us
—this vast sea
of remembrance—
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray—light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant’s Stars is a painting by Bernini.



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use—

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Belated Canonization
by Michael R. Burch

I loved you for the best.
I loved you through the worst.
I loved you fully dressed,
even when the water pipes burst.
But the gods were not impressed
and so they took you first.

I loved you nonetheless,
even when the earth seemed cursed.
I loved you at the prom.
I loved you in the hearse.
I still think of you as blessed.
Please excuse this morbid verse.



EULOGIES FOR POETS



Mnemosyne was stunned into astonishment when she heard honey-tongued Sappho, wondering how mortal men merited a tenth Muse.—Antipater of Sidon, loose translation/interpretation by Michael R. Burch



A Passing Observation about Thinking Outside the Box
by Michael R. Burch

William Blake had no public, and yet he's still read.
His critics are dead.



When I visited Byron's residence at Newstead Abbey, there were peacocks running around the grounds, which I thought quite appropriate.

Byron
was not a shy one,
as peacocks run.
—Michael R. Burch



Moore or Less
by
Michael R. Burch

for Richard Moore

Less is more —
in a dress, I suppose,
and in intimate clothes
like crotchless hose.

But now Moore is less
due to death’s subtraction
and I must confess:
I hate such redaction!




Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here ...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide ...

3.
Disgruntledly you grope dirt shores for orts
you pull like mucous ropes
from shells’ bright forts ...
You eye the teeming world
with nervous darts—
this way and that ...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

I wrote "Safe Harbor" in 2001 after a discussion with Kevin about Romanticism in the late 20th century.

There are more poems I wrote for Kevin later on this page.



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones ...
   fill all the pockets of my gown ...
      I’m going down,
         mad as the world
            that can’t recover,
to where even mermaids drown.



Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea

boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.

And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
as the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some raging ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze ...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

This is a poem I wrote for my favorite college English teacher, George King, since departed, about poetic kinship, brotherhood and romantic flights of fancy.



Caveat Spender
by Michael R. Burch

for Stephen Spender

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



Fahr an' Ice
by Michael R. Burch

apologies to Robert Frost and Ogden Nash

From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker),
and real fahr off, instead of quicker.



Kindred
by Michael R. Burch

for Edgar Allan Poe

O pale, austere moon,
haughty beauty...

what do we know of love,
or duty?



The Forge
by Michael R. Burch

for Seamus Heaney

To at last be indestructible, a poem
must first glow, almost flammable, upon
a thing inert, as gray, as dull as stone,

then bend this way and that, and slowly cool
at arms-length, something irreducible
drawn out with caution, toughened in a pool

of water so contrary just a hiss
escapes it—water instantly a mist.
It writhes, a thing of senseless shapelessness ...

And then the driven hammer falls and falls.
The horses prick their ears in nearby stalls.
A soldier on his cot leans back and smiles.

A sound of ancient import, with the ring
of honest labor, sings of fashioning.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as Time spins, reeling and dying,
the voice of a last gull
or perhaps some spirit no longer whole,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus—hard toil—
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes—dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning—
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken—
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



The Wonder Boys
by Michael R. Burch

for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned into their kite strings, saucer-eared.

They thought to feel the lightning's brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights' stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



Gallant Knight
by Michael R. Burch

for Alfred Dorn and Anita Dorn

Till you rest with your beautiful Anita,
rouse yourself, Poet; rouse and write.
The world is not ready for your departure,
Gallant Knight.

Teach us to sing in the ringing cathedrals
of your Verse, as you outduel the Night.
Give us new eyes to see Love's bright Vision
robed in Light.

Teach us to pray, that the true Word may conquer,
that the slaves may be freed, the blind have Sight.
Write the word LOVE with a burning finger.
I shall recite.

O, bless us again with your chivalrous pen,
Gallant Knight!



Millay Has Her Way with a Vassar Professor
by Michael R. Burch

After a night of hard drinking and spreading her legs,
Millay hits the dorm, where the Vassar don begs:
'Please act more chastely, more discretely, more seemly! '
(His name, let's assume, was, er... Percival Queemly.)

'Expel me! Expel me! '—She flashes her eyes.
'Oh! Please! No! I couldn't! That wouldn't be wise,
for a great banished Shelley would tarnish my name...
Eek! My game will be lame if I can't milque your fame! '

'Continue to live here—carouse as you please! '
the beleaguered don sighs as he sags to his knees.
Millay grinds her crotch half an inch from his nose:
'I can live in your hellhole, strange man, I suppose...
but the price is your firstborn, whom I'll sacrifice to Moloch.'
(Which explains what became of pale Percy's son, Enoch.)



The Princess and the Pauper
by Michael R. Burch

for Norman Kraeft in memory of his beloved wife June Kysilko Kraeft

Here was a woman bright, intent on life,
who did not flinch from Death, but caught his eye
and drew him, powerless, into her spell
of wanting her himself, so much the lie
that she was meant for him—obscene illusion!—
made him seem a monarch throned like God on high,
when he was less than nothing; when to die
meant many stultifying, pained embraces.

She shed her gown, undid the tangled laces
that tied her to the earth: then she was his.
Now all her erstwhile beauty he defaces
and yet she grows in hallowed loveliness—
her ghost beyond perfection—for to die
was to ascend. Now he begs, penniless.



Come Down
by Michael R. Burch

for Harold Bloom and the Ivory Towerists

Come down, O, come down
from your high mountain tower.
How coldly the wind blows,
how late this chill hour...

and I cannot wait
for a meteor shower
to show you the time
must be now, or not ever.

Come down, O, come down
from the high mountain heather
now brittle and brown
as fierce northern gales sever.

Come down, or your hearts will grow cold as the weather
when winter devours and spring returns never.



Pointed Art
by Michael R. Burch

for Lewis Carroll

The point of art is that
there is no point.
(A grinning, quick-dissolving cat
from Cheshire
must have told you that.)

The point of art is this—
the hiss
of Cupid's bright bolt, should it miss,
is bliss
compared to Truth's neurotic kiss.



At Cædmon's Grave

'Cædmon's Hymn' was composed at the Monastery of Whitby, a North Yorkshire fishing village. It is the oldest known poem written in the English language, dating back to around 680 A.D. I wrote this poem after visiting Caedmon's grave at Whitby.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.



Housman was right...
by Michael R. Burch

It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.



US Verse, after Auden
by Michael R. Burch

Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

The Unisphere mentioned is a large stainless steel representation of the earth; it was commissioned to celebrate the beginning of the space age for the 1964 New York World's Fair.



Long Division
by Michael R. Burch

for Emily Dickinson

All things become one
Through death's long division
And perfect precision.



Nod to the Master
by Michael R. Burch

If every witty thing that's said were true,
Oscar Wilde, the world would worship You!



Me?
by Michael R. Burch

Me?
Whee!
(I stole this poem
From Muhammad Ali.)



Confetti for Ferlinghetti
by Michael R. Burch

Lawrence Ferlinghetti
is the only poet whose name rhymes with 'spaghetti'
and, while not being quite as rich as J. Paul Getty,
he still deserves some confetti
for selling a million books while being a modern Dante Gabriel Rossetti.

(Like Dante Gabriel Rossetti, his rhyming namesake, Lawrence Ferlinghetti was both poet and painter.)



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to have a cuppa here?

You'll just stop in
to sip dry gin?
I only have a beer.

To name the 'greats':
Pope, Dryden, mates?
The whole world knows their names.

Discuss the 'songs'
of Emerson?
But these are children's games.

Give me rhythms
wild as Dylan's!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins' poems,
Hart Crane's, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.




EULOGIES FOR HUMANITY



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Something
by Michael R. Burch

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality has swept into a corner, where it lies
in dust and cobwebs and silence.



The Celtic Cross at Île Grosse
by Michael R. Burch

“I actually visited the island and walked across those mass graves [of 30,000 Irish men, women and children], and I played a little tune on me whistle. I found it very peaceful, and there was relief there.” – Paddy Maloney of The Chieftains

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese . . .

There was relief there,
without remorse,
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.

And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God was their only wealth.

They were proud folk, with only their lives to owe,
who sought the liberation of this strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.

Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.

There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.



Poet to poet
by Michael R. Burch, circa age 16-17

for Dr. Martin Luther King Jr., the upper-case Poet in my poem

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream . . .
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!

Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger—so solemn, so lovely—
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips—for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?



Ali's Song
by Michael R. Burch

They say that gold don't tarnish. It ain't so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, "called a spade a spade."
They say their gold is pure. I say defiled.
I flung their slave's name to the river, child.
I flung their slave's name to the river, child.

Ain't got no quarrel with no Viet Cong
that never called me nigger, did me wrong.
A man can't be lukewarm, 'cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, "Now here's your bullet and your gun,
and there's your cell: we're waiting, you choose one."
At first I groaned aloud, but then I smiled.
I gave their "future" to the river, child.
I gave their "future" to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.



For Ali, Fighting Time
by Michael R. Burch

So now your speech is not as clear . . .
time took its toll each telling year . . .
and O how tragic that your art,
so brutal, broke your savage heart.

But we who cheered each blow that fell
within that ring of torrent hell
never dreamed to see you maimed,
bowed and bloodied, listless, tamed.

For you were not as other men
as we cheered and cursed you then;
no, you commanded dreams and time—
blackgold Adonis, bold, sublime.

And once your glory leapt like fire—
pure and potent. No desire
ever burned as fierce or bright.
Oh Ali, Ali . . . win this fight!



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.



What The Roses Don’t Say
by Michael R. Burch

Oblivious to love, the roses bloom
and never touch . . . They gather calm and still
to watch the busy insects swarm their leaves . . .

They sway, bemused . . . till rain falls with a chill
stark premonition: ice! . . . and then they twitch
in shock at every outrage . . . Soon they’ll blush

a paler scarlet, humbled in their beds,
for they’ll be naked; worse, their leaves will droop,
their petals quickly wither . . . Spindly thorns

are poor defense against the winter’s onslaught . . .
No, they are roses. Men should be afraid.



briefling
by Michael R. Burch

manishatched,hopsintotheMix,
cavorts,hassex(quick!,spawnanewBrood!);
then,likeamayfly,he’ssuddenlygone:
plantfood



Mayflies
by Michael R. Burch

These standing stones have stood the test of time
but who are you
                          and what are you
                                                       and why?
As brief as mist, as transient, as pale ...
Inconsequential mayfly!

Perhaps the thought of love inspired hope?
Do midges love? Do stars bend down to see?
Do gods commend the kindnesses of ants
to aphids? Does one eel impress the sea?

Are mayflies missed by mountains? Do the stars
regret the glowworm’s stellar mimicry
the day it dies? Does not the world grind on
as if it’s no great matter, not to be?

Life, to be sure, is nothing much to lose.
And yet somehow you’re everything to me.



Athenian Epitaphs
by Michael R. Burch

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
—Michael R. Burch, after Simonides

They observed our fearful fetters, marched against encroaching darkness.
Now we gratefully commemorate their excellence: Bravely, they died for us.
―Michael R. Burch, after Mnasalcas

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Michael R. Burch, after Anacreon

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
—Michael R. Burch, after Leonidas of Tarentum

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
—Michael R. Burch, after Glaucus

Here I lie with sea-enclosed Cyzicus shrouding my bones.
Faretheewell, O my adoptive land that reared and suckled me;
Once again I take rest at your breast.
—Michael R. Burch, after Erycius

Shine, while you live;
blaze beyond grief,
for life is brief
and time, a thief.
—Michael R. Burch, after Seikilos of Euterpes

I am an image, a tombstone. Seikilos placed me here as a long-lasting sign of deathless remembrance.—loose translation/interpretation by Michael R. Burch

How happy the soul who speeds back to the Source,
but crowned with peace is the one who never came.
—a Sophoclean passage from the Rubaiyat of Omar Khayyam, loose translation/interpretation by Michael R. Burch

These epitaphs and other epigrams have been ascribed to Plato ...

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
—Michael R. Burch, after Plato

We left the thunderous Aegean
to sleep peacefully here on the plains of Ecbatan.
Farewell, renowned Eretria, our homeland!
Farewell, Athens, Euboea's neighbor!
Farewell, dear Sea!
—Michael R. Burch, after Plato

We who navigated the Aegean’s thunderous storm-surge
now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, renowned Eretria, our homeland!
Farewell, Athens, nigh to Euboea!
Farewell, dear Sea!
—Michael R. Burch, after Plato

This poet was pleasing to foreigners
and even more delightful to his countrymen:
Pindar, beloved of the melodious Muses.
—Michael R. Burch, after Plato

Some say the Muses are nine.
Foolish critics, count again!
Sappho of Lesbos makes ten.
—Michael R. Burch, after Plato

Even as you once shone, the Star of Morning, above our heads,
even so you now shine, the Star of Evening, among the dead.
—Michael R. Burch, after Plato



EULOGIES FOR THE HUMANITIES



Chivalric
by Michael R. Burch

my eulogy for Romanticism

I wrote, not uncorrupted, but made pure
somehow, bathed in the achromatic light
of Sentinels who strode dark castle heights
in flashing armor. How could Love endure

ten centuries of progress, or the march
of hobnailed boots toward far citadels’
pale hulks of sullied ivory, whose bells
called usurers to claim Them, for research?

I saw battalions failing, Heroes prone.
Through chlorine gas, pale green, I watched Them die;
dead Standard-Bearers held Love’s emblems high;
learned clerics ticked Their names off, one by one.

And still at times those castle walls are lit
by ghostly torches; there I go—to sit,
where, pen in hand, I write dead Heroes’ names
and heed Their voices, staring at the Flames.



The People Loved What They Had Loved Before
by Michael R. Burch

my eulogy for popular poetry

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to bards whose methods irked us, greats of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E) .
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to whore.
And the people loved what they had loved before.



Discrimination
by Michael R. Burch

my eulogy for meter and traditional poetry

The meter I had sought to find, perplexed,
was ripped from books of 'verse' that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?

I heard the sleigh bells' jingles, vampish ads,
the supermodels' babble, Seuss's books
extolled in major movies, blurbs for abs...
A few poor thinnish journals crammed in nooks
are all I've found this late to sell to those
who'd classify free verse 'expensive prose.'



To the Post-Modern Muse, Floundering
by Michael R. Burch

my eulogy for postmodernism

The anachronism in your poetry
is that it lacks a future history.
The line that rings, the forward-sounding bell,
tolls death for you, for drowning victims tell
of insignificance, of eerie shoals,
of voices underwater. Lichen grows
to mute the lips of those men paid no heed,
and though you cling by fingertips, and bleed,
there is no lifeline now, for what has slipped
lies far beyond your grasp. Iron fittings, stripped,
have left the hull unsound, bright cargo lost.
The argosy of all your toil is rust.

The anchor that you flung did not take hold
in any harbor where repair is sold.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

“Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, download files or surf the Web, absolutely free.”—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy’s assured (a threesome’s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!).
The cybersex is great, it’s guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Professor Poets
by Michael R. Burch

my first eulogy for professor poets

Professor poets remind me of drones
chasing the Classical queen's aging bones.
With bottle-thick glasses they still see to write —
droning on, endlessly buzzing all night.
And still in our classrooms their tomes are decreed...
Perhaps they're too busy with buzzing to breed?



The Beat Goes On (and On and On and On...)
by Michael R. Burch

my second eulogy for professor poets

Bored stiff by his board-stiff attempts
at "meter," I crossly concluded
I'd use each iamb
in lieu of a lamb,
bedtimes when I'm under-quaaluded.



The Board
by Michael R. Burch

my eulogy for publishers of prose masquerading as “poetry”

Accessible rhyme is never good.
The penalty is understood—
soft titters from dark board rooms where
the businessmen paste on their hair
and, Colonel Klinks, defend the Muse
with reprimands of Dr. Seuss.



Rant: The Elite
by Michael R. Burch

When I heard Harold Bloom unsurprisingly say:
'Poetry is necessarily difficult. It is our elitist art...'
I felt a small suspicious thrill. After all, sweetheart,
isn't this who we are? Aren't we obviously better,
and certainly fairer and taller, than they are?

Though once I found Ezra Pound
perhaps a smidgen too profound,
perhaps a bit over-fond of Benito
and the advantages of fascism
to be taken ad finem, like high tea
with a pure white spot of intellectualism
and an artificial sweetener, calorie-free.

I know! I know! Politics has nothing to do with art
And it tempts us so to be elite, to stand apart...
but somehow the word just doesn't ring true,
echoing effetely away—the distance from me to you.

Of course, politics has nothing to do with art,
but sometimes art has everything to do with becoming elite,
with climbing the cultural ladder, with being able to meet
someone more Exalted than you, who can demonstrate how to fart
so that everyone below claims one's odor is sweet.

'You had to be there! We were falling apart
with gratitude! We saw him! We wept at his feet! '

Though someone will always be far, far above you, clouding your air,
gazing down at you with a look of wondering despair.



Sweenies (or Swine-ies) Among the Nightingales
by Michael R. Burch

for the Corseted Ones and the Erratics

Open yourself to words, and if they come,
be glad the stone-tongued apes are stricken dumb
by anything like music; they believe
in petrified dry meaning. Love conceives
wild harmonies,
while lumberjacks fell trees.

Sweet, unifying music, a cappella...
but apeneck Sweeny's not the brightest fella.
He has no interest in celestial brightness;
he'd distill Love to chivalry, politeness,
yet longs to be acclaimed, like those before him
who (should the truth be told) confuse and bore him.

For Sweeney is himself a piggish boor —
the kind pale pearl-less swine claim to adore.



The Toast
by Michael R. Burch

my eulogy for lost and uncaptured joys

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush,
for rhymes that fade as pages close,
for flames' exhausted, drifting ash,
and petals falling from the rose, ...
I raise my cup before I drink,
saluting ghosts of loves long dead,
and silently propose a toast—
to joys set free, and those I fled.



Pity Clarity
by Michael R. Burch

my eulogy for comprehensible poetry

Pity Clarity,
and, if you should find her,
release her from the tangled webs
of dusty verse that bind her.

And as for Brevity,
once the soul of wit—
she feels the gravity
of ironic chains and massive rhetoric.

And Poetry,
before you may adore her,
must first be freed
from those who for her loveliness would whore her.

“Pity Clarity” expresses my unhappiness with the “state of the art” in the various poetic camps and churches.



I Learned Too Late
by Michael R. Burch

'Show, don't tell.'

I learned too late that poetry has rules,
although they may be rules for greater fools.

In any case, by dodging rules and schools,
I avoided useless duels.

I learned too late that sentiment is bad—
that Blake and Keats and Plath had all been had.

In any case, by following my heart,
I learned to walk apart.

I learned too late that 'telling' is a crime.
Did Shakespeare know? Is Milton doing time?

In any case, by telling, I admit:
I think such rules are s**t.



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here—among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire—
What use, O things of erstwhile loveliness?



Only Flesh
by Michael R. Burch

Moonlight in a pale silver rain caresses her cheek
but what she feels is an emptiness more chilling than fear ...

Nothing is questioned, yet the answer seems clear:
Night, inevitably, only seems to end ...
Flesh is the stuff that does not endure.

The sand slips sinuously through narrowing glass
as Time sums all things past, and to come.
Only flesh does not last.

Eternally, Night pirouettes with the Sun;
each bright grain, slipping past, will return.
Only flesh fades to ash though unable to burn.
Only flesh does not last.

Only flesh, in the end, makes its bed in brown grass.
Only flesh shivers, frailer than the pale wintry light.
Only flesh seeps in oils that will not ignite.
Only flesh rues its past.
Only flesh.

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.



Styx
by Michael R. Burch

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.

I believe I wrote "Styx" in my late teens, age 18 or 19. I remember it being part of a longer poem titled "Death." The first four lines seemed better than the rest of the poem, so I opted for the better part of valor: discretion.



Long Division
by Michael R. Burch writing as Kim Cherub

after Laura Riding Jackson

All things become one
Through death’s long division
And perfect precision.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.



Reading Her Checkbook Backwards
by Michael R. Burch

Her writing in the checkbook stops at December 24.
There will be no more
illegible scrawlings to decipher; nevermore
the faint scent of her perfume clinging like mist to the shore
of some extravagant departure
festooned with banners and streamers: adventure
bought at such cost
the balance goes negative forever.
Red as blood
(O, and the price however uncertain), love
has left its indelible mark:
one naught in the shape of a heart,
the slash running through it, stark, stark.
Valentine’s it was, the spectacle
of her inimical debacle,
arrears beyond number, beyond counting!
(the parentheses always surmounting
the deposits of credits,
the way sediments
having overflown all banks, quickly are washed away,
leaving only a few shells’ curious highwater marks).
New Year’s Day,
what a hullabaloo
of zeroes and IOUs,
parties and fireworks!
Salaries are larks
in the light of such indifference to cost.
Most of what she valued least is lost.
What has cost me most remains:
Honey, I’m sorry, I blew it!
blurred by our commingled tearstains.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Strange Tides, Stranger Tidings
by Michael R. Burch

for Sharon Rose

She walked into the sea one night
to never be seen again;
the Maelstrom made her hair a fright
as she left the world of men.
Some say she thus gained second sight.
Beware strange tides! Amen.

The first year of her life was hard;
the second was harder still.
Like a cameo carved out of sard
she bent to God’s harsh will.
At last her doctors all agreed:
“Just give her some damn chill pill!”

The years flashed by; she did not age
so much as disappeared.
For who could see
                             human dignity
in a thing so small, wizened and weird?
At last she had no memory
save all she’d ever feared.

Then the sea called to her strangely,
as if the Voice of God:
“I repent, O, I repent
of my Anger and my Rod!
Now I only wish to hold you,
and have you Tulip-Cod!”

She thought her nickname sweet indeed;
she did not stop to think,
for who can doubt the Word of God?
She tottered to the brink
of Doom itself, an ancient crone
doomed like a stone: to sink.

She made a votive offering;
she cast a lonely spell
upon the sea, before she stepped
into the gates of Hell;
the Maelstrom took her greedily;
she bade the world, “Farewell!”

So what became of her, you ask?
I can’t pretend to say:
did Michael and the Devil
contend for her that day?
Did the Voice of God mislead her,
or the wind lead her astray?

But sometimes late at night
when the ocean’s dreary roar
abates somewhat, an eerie light
gleams on that rocky shore,
and a lovely Mermaid, tulip-white,
sings, tremulous and pure ...

sweet ancient songs of ancient wrongs
the “love” of God endures.
                                            Amen



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

The title and first line of this poem came from a comic book that I read around age eleven while living in Wiesbaden, Germany. The line, uttered by a super-villain really struck me and stayed with me.


Ann Rutledge was apparently Abraham Lincoln’s first love interest. Unfortunately, she was engaged to another man when they met, then died with typhoid fever at age 22. According to a friend, Isaac Cogdal, when asked if he had loved her, Lincoln replied: “It is true—true indeed I did. I loved the woman dearly and soundly: She was a handsome girl—would have made a good, loving wife … I did honestly and truly love the girl and think often, often of her now.”

Winter Thoughts of Ann Rutledge
by Michael R. Burch

Winter was not easy,
nor would the spring return.
I knew you by your absence,
as men are wont to burn
with strange indwelling fire —
such longings you inspire!

But winter was not easy,
nor would the sun relent
from sculpting virgin images
and how could I repent?
I left quaint offerings in the snow,
more maiden than I care to know.



Ann Rutledge’s Irregular Quilt
by Michael R. Burch

based on “Lincoln the Unknown” by Dale Carnegie

I.
Her fingers “plied the needle” with “unusual swiftness and art”
till Abe knelt down beside her: then her demoralized heart
set Eros’s dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost. (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she’d show off the quilt with its uncertain stitches
as evidence love undermines men’s plans and women’s strictures
(and a plethora of scriptures.)

III.
But O the sacred tenderness Ann’s reckless stitch contains
and all the world’s felicities: rich cloth, for love’s fine gains,
for sweethearts’ tremulous fingers and their bright, uncertain vows
and all love’s blithe, erratic hopes (like now’s).

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot
of the Railsplitter’s joy and grief
(and his hope and his disbelief).

V.
For such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question — perhaps the Answer?
Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!), as tenderly as he loved you.



Men
by Michael R. Burch

for William Sykes Harris the First

There are men who create great nations—
one piece of lumber, one cement block, one immaculate vision
at a time . . .

There are men who carve their image into eternity's limestone,
out of belief, out of imagination,
into the legacy of children,

hamlets, villages, towns, great sprawling cities, fertile states
which revere their step,
which echo their voices,

which remember their stand against insanity and terror
and never forget their sacrifice,
their statutes, or their guidance . . .

So that, no matter the season, or if ever the winds shift or change,
still the eternal mountains will whisper, "These were men."
As the valleys below solemnly echo, "Amen."



Life’s a Ballet
by Michael R. Burch

for Sykes and Mary Harris

Life’s a ballet.
The dancers are those
who gaily sashay
to hold each other close.

Where, in an embrace,
each is lifted, in turn.
Though they stand in place,
together they learn

the movement of hearts
enjoined by life,
and rejoice in their parts
as man and wife.

For love is the act
that never ends
and heaven itself
forever transcends.



Sixty Years, for Sykes and Mary Harris
by Michael R. Burch

“By their fruits ye shall know them”

For sixty years, their love grew like the elm
beneath which children flourish in warm shade.
Like saplings that grow early when the sun
is not too fierce, two children rightly made,
conceived in love, grew straight, and tall, and strong.
And the sun smiled down, that love could last that long.

For sixty years, they watched the world unfold
beneath their outstretched limbs that kept the rain
from sweeping shoots away before they held.
Five saplings more grew, of the same fine grain.
Their world was full of larks’ and linnets’ songs.
And love smiled down, that love could last that long.

For sixty years, they held, and held secure
the ground beneath them, till new growth took root.
Their work was never done; no sinecure
awaited them, but blessings at the foot
of God Himself: five seedlings (wee, but strong!).
And God smiled down, that love could last that long.

I see a forest now—the coming years’—
with limbs entwined, the trunks straight, each to each.
The stamp and grain of love and faith and tears
has made them one. Now nothing dark can breach
their strength, and yet their leaves are bright with sun!
And God smiles down, beside him his own Son.



Beyond the Tempest
by Michael R. Burch

for Martha Pilkington Johnson

Martha Johnson was a formidable woman,
like her namesake, Martha Washington—
a woman like the Rock of Gibraltar,
a sure and steadfast refuge for her children and grandchildren
against the surging storms of life.

But later in her life
I beheld her transformation:
her hair became like a corona of light,
as if she were intent on becoming an angel
and something in her visage
brightened and softened,
as if she were preparing to enter heaven
where love and compassion rule
and the troubles of earth are like a tempest in teapot.



Dearly Beloved
by Michael R. Burch

for Suzan Blacksmith

She was

Dearly Beloved by her children, who gather
to pay their respects; they remember her
as they clung together through frightful weather,
always learning that Love can persevere ...

She was

Dearly Beloved by family and friends
who saw her great worth, even as she grew frail;
for they saw with Love’s eyes how Love’s vision transcends,
how her heart never faltered, through cyclones and hail ...

She is

Dearly Beloved, well-loved, sadly missed ...
and, while we mourn the lost days of a life too-soon ended,
we also rejoice that her suffering is past ...
she now lives in the Light, by kind Angels befriended.

And if

others were greater in fortune and fame,
and if some had iron wills when life’s pathways grew dark ...
still, since Love’s the great goal, we now reaffirm her claim
to the highest of honors: a mother’s Heart.



Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Xander the Joyous
by Michael R. Burch

Xander the Joyous
came here to prove:
Love can be playful!
Love can have moves!

Now Xander the Joyous
bounds around heaven,
waiting for him mommies,
one of the SEVEN —

the Seven Great Saints
of the Great Canine Race
who evangelize Love
throughout all Time and Space.

                        Amen



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Epitaph for a Lambkin
by Michael R. Burch

for Melody, the prettiest, sweetest and fluffiest dog ever

Now that Melody has been laid to rest
Angels will know what it means to be blessed.

                                                Amen



Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
—Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping —
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery balls
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Wickett
by Michael R. Burch

Wickett, sweet Ewok,
Wickett, old Soul,
Wicket, brave Warrior,
though no longer whole . . .

You gave us your All.
You gave us your Best.
You taught us to Love,
like all of the Blessed

Angels and Saints
of good human stock.
You barked the Great Bark.
You walked the True Walk.

Now Wickett, dear Child
and incorrigible Duffer,
we commend you to God
that you no longer suffer.

May you dash through the Stars
like the Wickett of old
and never feel hunger
and never know cold

and be reunited
with all our Good Tribe —
with Harmony and Paw-Paw
and Mary beside.

Go now with our Love
as the great Choir sings
that Wickett, our Wickett,
has at last earned his Wings!



The Resting Place
by Michael R. Burch

for Harmony

Sleep, then, child;
you were dearly loved.

Sleep, and remember
her well-loved face,

strong arms that would lift you,
soft hands that would move

with love’s infinite grace,
such tender caresses!

*

When autumn came early,
you could not stay.

Now, wherever you wander,
the wildflowers bloom

and love is eternal.
Her heart’s great room

is your resting place.

*

Await by the door
her remembered step,

her arms’ warm embraces,
that gathered you in.

Sleep, child, and remember.
Love need not regret

its moment of weakness,
for that is its strength,

And when you awaken,
she will be there,

smiling,
at the Rainbow Bridge.



Lady’s Favor: the Noble Ballad of Sir Dog and the Butterfly
by Michael R. Burch

Sir was such a gallant man!
When he saw his Lady cry
and beg him to send her a Butterfly,
what else could he do, but comply?

From heaven, he found a Monarch
regal and able to defy
north winds and a chilly sky;
now Sir has his wings and can fly!

When our gallant little dog Sir was unable to live any longer, my wife Beth asked him send her a sign, in the form of a butterfly, that Sir and her mother were reunited and together in heaven. It was cold weather, in the thirties. We rarely see Monarch butterflies in our area, even in the warmer months. But after Sir had been put to sleep, to spare him any further suffering, Beth found a Monarch butterfly in our back yard. It appeared to be lifeless, but she brought it inside, breathed on it, and it returned to life. The Monarch lived with us for another five days, with Beth feeding it fruit juice and Gatorade on a Scrubbie that it could crawl on like a flower. Beth is convinced that Sir sent her the message she had requested.



Solo’s Watch
by Michael R. Burch

Solo was a stray
who found a safe place to stay
with a warm and loving band,
safe at last from whatever cruel hand
made him flinch in his dreams.

Now he wanders the clear-running streams
that converge at the Rainbow’s End
and the Bridge where kind Angels attend
to all souls who are ready to ascend.

And always he looks for those
who hugged him and held him close,
who kissed him and called him dear
and gave him a home free of fear,
to welcome them to his home, here.



The Master Gardener
by Michael R. Burch

for Rex Crawford and Paula

His hands coarse with earth,
his back bowed, but strong,
he helped the young, tender shoots along
till they also grew strong.

If weathered by storms,
if grizzled by time,
if beset by wild floods
in a volatile clime,

still, our hero retained
a boy’s wonder at nature:
for its frailest flower
and most heavenly creature.

Like Adam, he gardened
till out of the wild
he created bright Edens.
Soon the Angels, beguiled,
observing a Rose
slight, delicate and rare
blossoming in Heaven
that wanted special care
declared in One Voice,
“We need Rexy here!”

So the Master Caretaker
sent out a decree:
“We need the very best:
send Nature’s Artist to Me!”

Now the Rose is restored
(this, all the faithful believe)
and a new Master Gardener
awaits his sweet Eve.

Amen



Talent
by Michael R. Burch

for Kevin N. Roberts

I liked the first passage
of her poem—where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
—in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end—
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:

If these words
be my sins,
let me die unconfessed!

Unconfessed, unrepentant;
I rescind all my vows!
Write till sleep:
it’s the leap
only Talent allows.

"Talent" was written by Michael R. Burch in 2000 after a discussion about the work of another poet; Kevin seemed to like this poem and requested it more than once in later conversations.



Beloved
by Michael R. Burch

a prayer-poem for Kevin Nicholas Roberts

O, let me be the Beloved
and let the Longing be Yours;
but if You should “love” without Force,
how then shall I love—stone, unmoved?
But let me be the Beloved,
and let the Longing be Yours.

And as for the Saint, my dear friend,
tonight let his suffering end!,
and let him be your Beloved . . .
no longer be stone: Love unmoved!
But light on him now—Love, descend!
Tonight, let his suffering end.

For how can true Love be unmoved?
If he suffers for love, Love reproved,
I will never be your Beloved,
so love him instead, so behooved!
Yes, let him be your Beloved,
or let You be nothing, so proved.

Must this be our one and sole pact—
keep you hymen forever intact?

I wrote the poem above a few months before Kevin’s death. The poem is directed to a Higher Power in case such a being exists.



Too Gentle, Angelic
by Michael R. Burch

for Kevin Nicholas Roberts

Too gentle, angelic for Nature, child,
too pure of heart for Religion’s vice . . .
Oh, charm us again, let us be beguiled!
With your passionate warmth melt men’s hearts of ice.

The poem above was written shortly after Kevin's death; he died on December 10, 2008 and the poem was written on December 23, 2008, just before Christmas.



Nightfall
by Michael R. Burch

for Kevin Nicholas Roberts

Only the long dolor of dusk delights me now,
   as I await death.
The rain has ruined the unborn corn,
      and the wasting breath
of autumn has cruelly, savagely shorn
         each ear of its radiant health.
As the golden sun dims, so the dying land seems to relinquish its vanishing wealth.

Only a few erratic, trembling stalks still continue to stand,
   half upright,
and even these the winds have continually robbed of their once-plentiful,
      golden birthright.
I think of you and I sigh, forlorn, on edge
         with the rapidly encroaching night.
Ten thousand stillborn lilies lie limp, mixed with roses, unable to ignite.

Whatever became of the magical kernel, golden within
   at the winter solstice?
What of its promised kingdom, Amen!, meant to rise again
      from this balmless poultice,
this strange bottomland where one Scarecrow commands
         dark legions of ravens and mice?
And what of the Giant whose bellows demand our negligible lives, his black vice?

I find one bright grain here aglitter with rain, full of promise and purpose
   and drive.
Through lightning and hail and nightfalls and pale, cold sunless moons
      it will strive
to rise up from its “place” on a network of lace, to the glory
         of being alive.
Why does it bother, I wonder, my brother? O, am I unwise to believe?

But Jack had his beanstalk
and you had your poems
and the sun seems intent to ascend
and so I also must climb
to the end of my time,
however the story
may unwind
and
end.



Storied Lovers
by Michael R. Burch

for Kevin and Janice Roberts

In your quest for the Beloved,
my brother, did you make
a near-fatal mistake?

*

Did you trust in the Enchantress,
La Belle Dame, as they say,
Sans Merci? Shall I pray
more kindly hands to gather you
to warmer breasts, and hold
your Spirit there, enfold
your heart in love’s sweet blessedness?

*

No need! One Angel’s fond caress
was your sweet haven here.
None ever held more dear,
you harbored with your Anchoress
whenever storms drew near.

*

Whatever storms drew near,
however great the Flood,
she held you, kind and good,
no imperious savage Empress,
but as earthly Angels should.

*

In your quest for the Beloved
did the road take some strange fork
where ecstatic feys cavort
that led you to her hermitage
and her hearth, safe from that wood.
(Did La Belle Dame’s dark eyes hood?)

*

I am thankful for the marriage
two tender spirits shared.
When the raging waters glared
and the deadly bugles blared
like cruel Trumps of Doom, below
how strong death’s undertow!

*

But true spirits never sink.
Though he swam through hell’s fell stink
and a sea of putrid harms,
he swam back to your arms!

*

Life lived upon the brink
of death, man’s human fate,
can yet such Love create
that the hosts above, spellbound,
fall silent. So confound
the heavens with your Love
and fly, O tender Dove!,
to wherever hearts may rest
once having sweetly blessed
a heart like my dear brother’s
and be both storied lovers.

Amen

I wrote the poem above on New Year’s Day, January 1, 2009.



You Were the One Who Talked to Angels
by Michael R. Burch

for Kevin Nicholas Roberts

You were the one who talked to Angels
while I was the one who berated God,
calling him Tyrant, Infidel, Fool,
Killer, Clown, Brute, Sod, Despot, Clod.

But you were the one who talked to Angels—
who, bathed in celestial light,
stood unarmed, except for your pen
and your journal, ecstatic, to write.

How kind their baptisms, how gentle their voices!
Considering their nature the world rejoices,
and you were their gentle, their chosen one . . .
you, my kind friend, now unkindly gone.

But you were the one who talked to Angels,
in empathy, being their kind,
a child of compassion whose tender heart
burst beneath skin’s ruptured rind.

You sought the Beloved with a questing Heart;
once found, the heav’n-quickened Spirit must fly!
You mastered Man’s strange, fatalistic Art—
to live, to love, to laugh, then die.

But living here, Angel, you found the arms
of a human Angel and, living, you knew
the glories of temporal, mortal love
where one and one eclipses two.

And now she mourns you, as we all do.

But you were the one who talked to Angels,
as William Blake did, in his day,
and, childlike, felt their eclectic grace—
sweet warmth, illuminating clay.

Two kinds of Warmth—a Wife’s, and Theirs.
Two kinds of Love—Human, Divine.
Two kinds of Grace—the Angels’, Hers.
Two Planes within one Heart combine.

And so you brought far heaven near,
and so you elevated earth
and Human Love, to where the Cloud
of Witnesses might see man’s worth.

***

My Christlike brother, who talked to Angels,
where do you soar today, I wonder?
Do you fly on white percussive wings,
far, far beyond earth’s abyssal thunder,
and looking back, regard the earth
and its lightnings and their bellowed hymns
as the sparks and groans of a temporal Forge,
as merely momentary things?

There, looking up, do you see the Host
of those who ascended, of those who see
all things more clearly, having slipped
thin veils of flesh, for Eternity?

And will you, in your Joy, forget
the sufferings of serfs below,
or will you remember, cry “Relent!”
to those with the power to bestow
the gifts of spirit upon the many
rather than just the Chosen Few,
who sell bottled grace for a pretty penny
and break the hearts of doves like you?

Or will you be the Advocate
of those who live—the fag; the whore;
the homeless man; the indigent;
the waif who begs at the kirk’s barred door
and dares not enter, for her “sins”
which the rich-robed mannequins deplore
as they circle her and mind the store?

Will mercy, pity, peace conspire
to hold you in their gravity
so that, still Human, you aspire
to change earth’s dark trajectory?

I wrote the poem above the day after Kevin died.



I Pray Tonight
by Michael R. Burch

for everyone

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.