Haunted by Ophelia

These are poems about Ophelia, poems about despair, poems about madness and insanity, poems about hunting and being haunted by love…

Kate Winslet portraying Ophelia in Hamlet (1996)

Ophelia
by Michael R. Burch

for Kevin N. Roberts

Ophelia, madness suits you well,
as the ocean sounds in an empty shell,
as the moon shines brightest in a starless sky,
as suns supernova before they die…

My friend Kevin Roberts was a talented New Romantic poet who founded the literary journal Romantics Quarterly and wrote a book, Quest for the Beloved, that makes me think of the many Ophelias, male and female, who are driven to find something beyond themselves in order to complete themselves and give meaning to life. As the Bible puts it, “and the two shall become one.” But what happens when an Ophelia’s heart is crushed, whether by rejection, negligence, indifference, or lack of reciprocity? These poems have to do with the extremes of love, of metaphorically going over the edge of the world into an abyss…

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Ophélie (“Ophelia”), an Excerpt
by Arthur Rimbaud
loose translation/interpretation by Michael R. Burch

On pitiless black waves unsinking stars abide
... while pale Ophelia, a lethargic lily, drifts by …
Here, tangled in her veils, she floats on the tide …
Far-off, in the woods, we hear the strident bugle’s cry.

For a thousand years, or more, sad Ophelia,
This albescent phantom, has rocked here, to and fro.
For a thousand years, or more, in her gentle folly,
Ophelia has rocked here when the night breezes blow.

For a thousand years, or more, sad Ophelia,
Has passed, an albescent phantom, down this long black river.
For a thousand years, or more, in her sweet madness
Ophelia has made this river shiver.

In his lovely, haunting "Ophelia," Rimbaud has almost perfectly captured Ophelia as I imagine her myself.

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Pale Ophelias
by Michael R. Burch

Ever in danger of a lethal tryst,
with a comical father crying, “Desist!”
We’re all pale Ophelias in the mist.

“Children, be careful!” our mothers insist,
and yet we plow forward, in search of bliss,
ever in danger of a lethal tryst.

“Remember Eve’s apple,” some inner voice hissed,
which of course we ignored, the prudish miss!
We’re all pale Ophelias in the mist.

Such a sweet temptation!, and who can resist
the enticements of such a delectable dish,
whatever the dangers of a lethal tryst?

“Stay away, Cupid!” With a balled-up fist,
we lecture the stars when things go amiss.
We’re all pale Ophelias in the mist.

Lovers are criminals & need to be frisked!
We’re up to the task, like lobsters in bisque.
Ever in danger of a lethal tryst,
We’re all pale Ophelias in the mist.

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Undine
by Renée Vivien
loose translation/interpretation by Kim Cherub (an alias of Michael R. Burch)

Your laughter startles, your caresses rake.
Your cold kisses love the evil they do.
Your eyes—blue lotuses drifting on a lake.
Lilies are less pallid than your face.

You move like water parting.
Your hair falls in rootlike tangles.
Your words like treacherous rapids rise.
Your arms, flexible as reeds, strangle,

Choking me like tubular river reeds.
I shiver in their enlacing embrace.
Drowning without an illuminating moon,
I vanish without a trace,
lost in a nightly swoon.

Renée Vivien portrayed Ophelia in two French poems, “La Chanson d'Ophélie” and “A la perverse Ophélie,” so I’m confident Ophelia was an influence on “Undine” as well. In her two Ophelia poems, as Arianna Marmo observed, “Vivien’s Ophelia shifts from an image of purity and purification of sins by water, as suggested by some previous French poets rewriting the heroine’s death such as Rimbaud, to an icon of perversion who embodies the ambiguities and the demonic aspects of the decadent female figure.”

Quests for the Beloved can be dangerous indeed, especially when we end up with the wrong Beloved. And yet we are often drawn, like moths to flame, to enticing dangers, as I observe in my poem “Fascination with Light”…

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Fascination with Light
by Michael R. Burch

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,

where it hovers, unsure,
sullen, shy or demure,
in the margins of night,

a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato

and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

Ophelia appears with silt in her mouth in a poem by the Russian poet Marina Tsvetaeva…

The Appointment
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I will be late for the appointed meeting.
When I arrive, my hair will be gray,
because I abused spring.
And your expectations were much too high!

I shall feel the effects of the bitter mercury for years.
(Ophelia tasted, but didn't spit out, the rue.)
I will trudge across mountains and deserts,
trampling souls and hands without flinching,

living on, as the earth continues
with blood in every thicket and creek.
But always Ophelia's pallid face will peer out
from between the grasses bordering each stream.

She took a swig of passion, only to fill her mouth
with silt. Like a shaft of light on metal,
I set my sights on you, highly. Much too high
in the sky, where I have appointed my dust its burial.

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Virginia Woolf had an Ophelia-like death: She loaded her pockets with stones then committed suicide by walking into the River Ouse.

Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones…
fill all the pockets of my gown…
I’m going down,
mad as the world
that can’t recover,
to where even mermaids drown.

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Gail White has an entirely different take on Ophelia and why she didn’t click with Hamlet…

Ophelia Knows Why Hamlet Went Mad
by Gail White

"Mad for thy love?"  — Polonius

It was because I always told him No —
I was brought up that way.  A little prig,
proud of my chastity.  Lord, what a bore
I must have been!  And see the consequence:
He's sullen, moody, talking to himself,
trying to frighten me by whispering
bawdy jokes in my ear, laying his head
in my lap...Could beauty, my lord,
have better discourse than with honesty?
I said that, boasting of my virtue.  Now
he's hard as flint, and I'm as soft as wax
in my father's hands.  Why was I hard to him?
If he were sane again, I wouldn't hold
out for a throne.  I'd pocket up my wrongs.
He'd learn that I know lots of bawdy songs.

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This poem of mine makes me think of Ophelia prior to her demise…

The Peripheries of Love
by Michael R. Burch

Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.

Above us—the sagging pavilions of clouds.
Below us—rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday’s forgotten rains.

Later, the moon like a virgin
lifts her stricken white face
and the waters rise
toward some unfathomable shore.

We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved…
curiously motionless,

as though twilight might blur
the effects of proximity and distance,
as though love might be near—

as near
as a single cupped tear of resilient dew
or a long-awaited face.

Originally published by Romantics Quarterly

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This is another poem of mine that makes me think of Ophelia, floating…

Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs …
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm breasts,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea …
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one around age 18-19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. It was originally titled "Entanglements."

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Sometimes what we seek and find can lead to despair and madness. Unwholesome lovers (at least for us) can metaphorically become sirens, mermaids, Lorelei, even Circe luring Ulysses into the pigsty…

Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her…

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.

Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly

Goddess
by Michael R. Burch

“What will you conceive in me?”—
I asked her. But she
only smiled.

“Naked, I bore your child
when the wolf wind howled,
when the cold moon scowled…
naked, and gladly.”

“What will become of me?”—
I asked her, as she
absently stroked my hand.

Centuries later, I understand;
she whispered—“I Am.”

A goddess like Circe can assume the form of a mortal woman when she feels like fooling around and perhaps making fools of mortal men…

u-turn
by Michael R. Burch

u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty…

Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew

and strangled hope, where love dies too.

Why are goddesses so difficult to get along with? Sometimes they seem more interested in drama than love …

Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.

A mortal man cannot hope to have a goddess like Circe for long. Even in human form she will be hard to hold, and harder yet to understand …

She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left…
yet I smiled, bereft, in her receding glow.

Sometimes we can’t hold onto our Beloveds and they slip away from us…

Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.

Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly

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Five of my poems herein — “Goddess,” “Desdemona,” “Circe,” “She Was Very Strange, and Beautiful,” and “Her Preference” — were the first five poems published in the first issue of Romantics Quarterly, as selected by Kevin Roberts. A very great honor.

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Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her…

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.

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Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair—
long, ravenblack & melancholy.

Many suitors drowned there—
lost, unaware
of the length & extent of their folly.

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Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter…
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man—the same
wan ghost of her palpitations’ claim
on my heart
that I was before.
I love her beyond and despite even shame.

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Lures of the Lorelei
by Michael R. Burch

These are the rocks where the Lorelei combs
her wind-tangled hair as the dark water moans,
and her uncanny hymns echo softly between
worlds fashioned of stone and strange algaed dreams…

Here men hear her songs, as they always have done,
as they dream to be one with the pulse of the foam…
as they also now long for her sleek, slender arms—
sweet relief from their ships, mules, wives, shanties and farms!

But what does she offer them—is it love?
As she croons her desire, is she moray, minx, dove?
Or merely a mystery: an enigma, like death,
to men bent on drowning, unhappy with breath?

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In love, moments of separation can be acutely painful…

Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight—how the cold stars stare!—
when to be without you is a dark enchantment
the night and I share.

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Sometimes there’s a thin line between holy love and animal lust…

Chloe
by Michael R. Burch

There were skies onyx at night … moons by day …
lakes pale as her eyes … breathless winds
undressing tall elms; … she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray …
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.

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Sometimes love leaves us limp and unable to act, which was true for both Hamlet and Ophelia…

Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged thrust,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Originally published by The Lyric

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Sometimes in love we find ourselves in rebellion … against ourselves and our best interests…

Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering…
like peasants rebelling against a mad king.

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Sometimes we are left with only memories and mementos of destruction and thus become our own Ophelias…

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night…
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter…
So near, yet so far.

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What happens when our lost Ophelias have departed this planet? Often they haunt us, as Hamlet’s Ophelia has haunted poets for five centuries. Sometimes we seem to catch glimpses of them…

Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...

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What can poets make of it all, in the end, if you’ll pardon the pun? Perhaps poets are left with turning lemons into lemonade, five cents per pitcher…

Instruction
by Michael R. Burch

Toss this poem aside
to the filigreed and the prettified tide
of sunset.

Strike my name,
and still it is all the same.
The onset

of night is in the despairing skies;
each hut shuts its bright bewildered eyes.
The wind sighs

and my heart sighs with her—
my only companion, O Lovely Drifter!
Still, men are not wise.

The moon appears; the arms of the wind lift her,
pooling the light of her silver portent,
while men, impatient,

are beings of hurried and harried despair.
Now willows entangle their fragrant hair.
Men sleep.

Cornsilk tassels the moonbright air.
Deep is the sea; the stars are fair.
I reap.